12/2/2023 0 Comments Fantastical sandwich drawing![]() ![]() I like the droplets but not the poodle itself. But I'm also disappointed that I ruined my art work by making a poodle. I feel proud that i was able to even finish this but i'm also pretty proud that i was to add detail to my art work. Well, i have a mix of emotions at the moment. I started with a light shade and started to add shading, contrast, and depth to my artwork as much as i could. I started with a sketch of a cube and made a light sketch of where everything would be. I made this drawing by using a pencil, a ruler, an eraser, a sketchbook, and my computer for references. ![]() This drawing was spacifly made for my brother because he likes cleaning (that's why I included sponges) and he is also mysterious of the ocean (that's why I added the wave). And there's a puddle in the bottom of the sandwich because the sponges are so wet. The sponges are dark and light because some parts of the sponges are wet and some aren't from the wave. It is supposed to be an unusual sandwich made of two sponges for buns and the wave is the topping. This art piece is of my weird creations of mine. While Miyake’s performances are more fantastical and far from adding reality to his drawings, there is a similar sentiment in his actions in which he attempts to create a special space for his art and his audience.Hello, I'm Dallamy and I'm the artist behind this unusual drawing. By becoming part of the scene that he was creating, Yokoo brought together the artist’s realm and the audience’s world to create what is essentially his art. This is perhaps similar to Tadanori Yokoo’s performance at the Hyogo Prefectural Museum of Art in 2010, in which the artist dressed up as a construction worker and physically entered the scene of one of his “Y-Junction” pieces while he performed a live painting in the museum. He considers the setting of the exhibition and tries to offer a performance that meets the public’s image and expectation regarding the exhibition’s theme. He found out that there were beavers living in Massachusetts, and ran with the idea.Īs he dressed up for his beaver project, Miyake often dresses up for his live drawing performances. ![]() When he decided to hold a show in Boston, he had been wanting to do something aquatic. There was also an accompanying exhibition held at the Massachusetts College of Art and Design. The film is a record of the artist’s project in Massachusetts – creating a “beaver’s dam” in an actual lake. Miyake’s film “A Beaver’s Life” (2006) is a mockumentary that follows the artist in a beaver costume, building a home on a lake in Barre, Massachusetts. Shintaro Miyake in costume for “A Beaver’s Life”, 2006 (photo: Tomio Koyama Gallery) These thoughts led him to the title of this exhibition, which the artist admits is perhaps too long and literal. It may seem obvious, but people eat as long as they are living it’s when people stop eating that they’ve given up on living. This impressed Miyake and made him think about the connection between eating and living. He had also recently witnessed his own mother being nurtured through an IV when she was no longer able to feed herself a couple of years ago. While eating this piece of bread and thinking about how life is full of misery, he realized that people eat even when things are really bad. One day, he ate a piece of bread in his studio, which was unusual for him he usually favors other snacks, such as onigiri (rice balls). He first pondered on the act of eating bread when he was in the depths of an artist’s slump. It was his existential fear, along with other personal experiences, that inspired the drawings at this exhibition. At an artist talk held at the gallery on December 18th, 2013, Miyake explained (sounding not unlike Woody Allen) that he had feared death – or more specifically, his own existence disappearing after death – since he was a child. Standing in the middle of 8/ ART GALLERY/ Tomio Koyama Gallery, which showcased a giant cardboard sandwich and drawings of people baking and eating a bread, one would not guess that “death” was the inspiration behind this exhibition. Exhibition view of “Sitting on a Chair, Eating Bread” at 8/ ART GALLERY Tomio Koyama Gallery, Shibuya Hikarie. ![]()
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